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Monday, November 16, 2020 | History

2 edition of Sculptura-historico-technica, or, The history and art of ingraving ... found in the catalog.

Sculptura-historico-technica, or, The history and art of ingraving ...

Sculptura-historico-technica, or, The history and art of ingraving ...

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Published by Printed for S. Harding ... in London .
Written in English

    Subjects:
  • Engraving -- Early works to 1800.

  • Edition Notes

    The second ed. of a work first published with title: Repertorium sculptile-typicum.

    Other titlesSculptura-historico-technica, History and art of ingraving, Repertorium sculptile-typicum.
    Statementextracted from Baldinucci, Florent le Comte, Faithorne, the Abcedario [sic] pittorico, and other authors. --
    ContributionsBaldinucci, Filippo, 1625-1696
    The Physical Object
    Paginationxii, 225, [1] p., [10] leaves of plates, fold. table (p. [226] advertisements) :
    Number of Pages226
    ID Numbers
    Open LibraryOL22301666M
    LC Control Number21003716

    John Warner Barber (February 2, – June ) was an American engraver and historian whose books of state, national, and local history featured his vivid illustrations, said to have caught the flavor and appearance of city, town, and countryside scenes in his day. Animals Drawn from Nature and Engraved in Aqua-tinta is a book written and illustrated by Charles Catton the younger and published in London in It is a very early example of a work including hand-coloured thirty-six animals described, all mammals except for the crocodile, were from both the New World and the Old the time Catton had not travelled abroad so he drew.


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Sculptura-historico-technica, or, The history and art of ingraving ... Download PDF EPUB FB2

Texts All Books All Texts latest This Just In Smithsonian Libraries FEDLINK The history and art of ingraving Item Preview remove-circle Sculptura-historico-technica, or, The history and art of ingraving by Harding, S., bookseller.

Publication date TopicsPages:   Sculptura historico-technica: or, The history and art of engraving. Containing, I. The rise and progress of engraving.

Of engraving in general. III. Of engraving, etching, and scraping on copper, as now practised. An idea of a fine collection of prints. The repertorium, or A collection of various marks and cyphers, with : Sculptura, or, The history, and art of chalcography and engraving in copper with an ample enumeration of the most renowned masters and their works: to manner of engraving, or mezzo tinto () [Samuel Sorbière] on *FREE* shipping on qualifying offers.

This book represents an authentic reproduction of the text as printed by the original publisher. texts All Books All Texts latest This Just In Smithsonian Libraries FEDLINK (US) The history and art of engraving Item Preview remove-circle Sculptura historico-technica, or, The history and art of engraving by Orlandi, Pellegrino Antonio, Abecedario pittorico.

Sculptura; or, the history and art of chalcography, and engraving in copper: with an ample enumeration of the most renowned masters and their works. The second edition. [John Evelyn] on *FREE* shipping on qualifying offers.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing.

Sculptura historico-technica: or, The history and art of engraving. Containing, I. The rise and progress of engraving. Of engraving in general. III. Of engraving, etching, and scraping on copper, as now practised.

An idea of a fine collection of prints. The repertorium, or A collection of various marks and cyphers, with : THE ART OF COPPER ENGRAVING, WITH TEN EXPLANATORY PLATES.

BALDINUCCI, Filippo, et al. Sculptura-Historico-Technica: or, the History and Art of Ingraving [sic]. London: S. Harding, 12mo, modern brown cloth. Enlarged second edition of this practical treatise on engraving, with an extensive catalogue of engravers’ marks, ten full-page copperplates of techniques and large folding.

Full text of "Sculptura historico-technica: or, The history and art of engraving. Containing, I. The rise and progress of engraving. Of engraving in general. III. Of engraving, etching, and scraping on copper, as now practised. An idea of a fine collection of prints. The repertorium, or A collection of various marks and cyphers, with.

Sculptura historico-technica, or, The history and art of engraving / By James Marks and Abecedario pittorico. English. Pellegrino Antonio Orlandi. Abstract. An idea of a fine collection of printsIV. The Repertorium; or Collection of the various marks and cyphers, by which the prints of the best ingravers, &c.

are distinguished. With large additionsV. Of ingraving, etching, and scraping on copper, as now practised, with cuts to illustrate of access: g, c. 2: : bookseller. Harding. Sculptura: Or, the History and Art of Chalcography, and Engraving in Copper: with an Ample Enumeration of the Most Renowned Masters and Their Works.

To which is Annexed, a New Manner of Engraving, Or Mezzotinto, Communicated by His Highness Prince Rupert to the Author of this Treatise, John Evelyn, Esq. Sculptura historico-technica ; or, the history and art of engraving.

Containing, I. The rise and progress of engraving. Of engraving in general. III. Of engraving, etching, and scraping on copper, as now practised. An idea of a fine collection of prints.

The repertorium; or, a collection of various marks and cyphers, with additions. Sculptura Historico-technica. Or, The History and Art of Engraving Containing, I. The Rise and Progress of Engraving. Of Engraving in General. III. Of Engraving, Etching and Scraping on Copper, as Now Practised.

An Idea of A Fine Collection of Prints. The Repertorium; or A Collection of Various Marks and Cyphers, With Additions.

Get this from a library. Sculptura-historico-technica: or, The history and art of ingraving Extracted from Baldinucci, Florent le Comte, Faithorne, the Abcedario pittorico, and other authors. [Pre Imprint Collection (Library of Congress);]. A magnificent, deluxe book with nearly photos, drawings and designs.

Many are concerned with gun engraving but the techniques can be universally applied. This is an instant classic on which no effort was spared.

This beautiful book gives you complete instruction in the art of engraving/5(28). Sculptura historico-technica: or, The history and art of engraving. Containing, I. The rise and progress of engraving. Of engraving in general. III. Of engraving, etching, and scraping on copper, as now practised.

An idea of a fine collection of prints. The repertorium, or A collection of various marks and cyphers, with additions. Get this from a library. Sculptura historico-technica: or, The history and art of engraving Containing, I.

The rise and progress of engraving. Of engraving in general. III. Of engraving, etching, and scraping on copper, as now practised. An idea of a fine collection of prints. The repertorium, or A collection of various marks and cyphers, with additions.

Get this from a library. Sculptura-Historico-Technica: or the history and art of ingraving. Containing, I. The Rise and Progress of Ingraving. Of Ingraving in General.

III. An Idea of a fine Collection of Prints. The Repertorium ; or Collection of the various Marks and Cyphers, by which the Prints of the best Ingravers, &c.

are distinguished. Get this from a library. Sculptura historico-technica: or, The history and art of engraving Extracted from Baldinucci, Florent le Compte [sic] Fairthorne [sic]. Get this from a library. Sculptura-historico-technica: or the history and art of ingraving.

Extracted from Baldinucci, Florent le Comte, Faithorne, the Abcedario Pittorico, and other authors. Sculptura historico-technica: or, The history and art of engraving: containing, I.

The rise and progress of engraving. Of engraving in general. III. Of engraving, etching, and scraping on copper, as now practised. An idea of a fine collection of prints. The repertorium; or, A collection of various marks and cyphers, with additions.

Arthur Mayger Hind () was a leading historian of engraving, one of the most highly respected art historians of modern times. Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving /5.

A history of engraving & etching from the 15th century to the year ; being the 3d and fully rev. of " A short history of engraving and etching." by Hind, Arthur Mayger, dnPages:   Arthur Mayger Hind (–) was a leading historian of engraving, one of the most highly respected art historians of modern times.

Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving that has yet been written. This book, formerly out of print for many years, contains 3/5(2).

A short history of engraving. The engraving technique was used especially in prehistoric times, either on stone (rock engravings) or on pottery (dry or raw engravingspottery); in classical times it appeared on Greek black figure and in the decoration of metals and (Etruscan and Greek mirrors) and walls (the graffiti in Pompei Ercolanodecoration of).

Arthur Mayger Hind (–) was a leading historian of engraving, one of the most highly respected art historians of modern times. Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving.

The book emphasizes tool care and covers both basic and advanced techniques. The information it contains is ideal for beginning engravers wanting unwrap the age-old secrets of engraving.

The author includes tips that will benefit even the most experienced engraver; this work is a must-have for expanding engraving knowledge and delving into the. Etchers and Etching: Chapters in the History of the Art together with Technical Explanations of Modern Artistic Methods [Joseph Pennell] on *FREE* shipping on qualifying offers.

Etchers and Etching: Chapters in the History of the Art together with Technical Explanations of Author: Joseph Pennell. Wood engraving, a printmaking technique in which a print is made from a design incised on the transverse section, or end, of a hardwood block.

The technique was developed in England in the last half of the 18th century, and its first master was the printmaker Thomas Bewick, whose illustrations for such natural history books as A History of British Birds ( and ) were the first extended.

The Art of Engraving Hardcover – January 1, by James B. Meek (Author) out of 5 stars 1 rating. See all formats and editions Hide other formats and editions. Price New from Used from Hardcover "Please retry" $ — $ 4/5(1). Engraving originated independently in the Rhine valley in Germany and in northern Italy about the middle of the 15th century.

It seems to have been first developed by German goldsmiths now known only by their initials or pseudonyms, the most prominent being the Master E.S. and the Master of the Playing Cards. Martin Schongauer is the first engraver known to have been not only a goldsmith but.

Publisher Information: London: J. for G. Beedle, and T. Collins, First Mezzotint Published in England—The Fairfax Murray Copy Evelyn, John Sculptura: Or the history, and art of chalcography and engraving in copper to which is annexed a new manner of engraving, or mezzo tinto, communicated by his Highness Prince Rupert to the author of this treatise.

8vo. 32,3 Author: John Evelyn. St Christopher (). Engraving by the German North Renaissance printmaker Albrecht Durer.: Fine Art Engraving: Type of Printmaking. This fine-art intaglio printmaking process, derived from goldsmith engraving techniques, dates from pioneering work by Northern Renaissance German printers during the first half of the 15th century.

Engraving involves the incision of a design onto a metal. Get the best deals on Engraving Original Art Prints when you shop the largest online selection at Free shipping on many items Natural History. or Best Offer. Style: Illustration Art. Make Offer - The Shepherd Engraving Art Print Rosa Bonheur.

c ANTIQUE FRAMED ENGRAVING “SOUTH WEST VIEW OF LITCHFIELD” (UK) by. Brownells - The Art of Engraving Book. For more information on Brownells The Art of Engraving Book, please visit Printmaking - Printmaking - History of printmaking: Engraving is one of the oldest art forms.

Engraved designs have been found on prehistoric bones, stones, and cave walls. The technique of duplicating images goes back several thousand years to the Sumerians (c.

bce), who engraved designs and cuneiform inscriptions on cylinder seals (usually made of stone), which, when rolled over soft. Obsolete form of engrave. (Can we find and add a quotation of Tennyson to this entry?)William Faithorne, Sculptura Historico-technica: Or the History and Art of Ingraving (etc.), p [ ] M.

Anthony Bos, who both etched and ingraved in a Stile of his own, did not ſucceed ſo well; [ ].Benjamin Barnard, William Henry Black. THE ART OF ENGRAVING brings to the reader - for the first time ever - a complete, authoritative, imaginative and detailed introduction and training in the art of gun engraving.

It is a supremely unique book, for not only does it sweep aside the mystery which has surrounded engraving through the centuries, but it factually, simply and in layman /5.

Engraving is the practice of incising a design on to a hard, usually flat surface by cutting grooves into it with a result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings".

As a complete beginner I found this book disappointing. There is quite a bit of information, history and biography regarding the ART of engraving on firearms (hence the title), but what there is about the actual PRACTICE of engraving in general is sparse and located rather helter-skelter around the book/5(25).

Line engraving has a very long history. Developed during the fifteenth century, engraving was at first traditionally regarded as a branch of the goldsmith's art.

During the latter 15th century and into the 16th century the art of engraving was developed to a very high degree by the Italian school, often by artists who turned their hands to.Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more.

3, results in SearchWorks catalog Skip. The art of engraving has experienced a large rise starting in The period between and is better known as as the Golden Age of engraving. Engravers such as Albrecht Dürer, Martin Schongauer and Lucas Von Leiden emerged, changing engraving from simply a means for mass production to an art form.

Therefore, German.